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“THE CELTIC TENORS LIVE AT THE EMPIRE THEATRE” out March 20th Single ‘Perfect Symphony’ out January 30th

February 4, 2026 by Hector Flores

North American Tour begins February 19th

"The Celtic Tenors: Live at The Empire Theatre" captures Matthew Gilsenan, Daryl Simpson, and George Hutton at their very best: in full voice, in front of a live audience, and in perfect harmony. Recorded at the historic venue in Ontario,Canada, this album celebrates the trio’s ability to bridge the timeless beauty of Celtic tradition with the warmth and accessibility of contemporary song.

From the heartfelt intimacy of “Grace” and playful medley of “Spanish Lady/Marie’s Wedding” to the lively spirit of “Galway Girl,” “The Celtic Tenors: Live at The Empire Theatre” showcases the range and charm that have made The Celtic Tenors beloved across the world.

The Celtic Tenors will release their single version of Ed Sheerhan’s “Perfect Symphony” on January 30^th. In their hands this modern classic takes on a new depth and elegance. Their rendition blends English and Italian lyrics within a warm Irish folk setting, allowing the trio’s harmonies to shine with clarity and emotion. The arrangement feels intimate yet expansive, offering a timeless crossover sound that highlights the group’s unique ability to bridge classical and contemporary styles.

“The Celtic Tenors: Live at The Empire Theatre” stands as a celebration of heritage, artistry, and human connection through song. With more than one million albums sold worldwide, Matthew, Daryl, and George have earned their place among Ireland’s most successful classical-crossover acts while maintaining a rare balance of skill and personality. Supporting the trio are music director Colm O’Regan at the grand piano, Darren Bell on guitars and mandolin, and John O’Brien on pipes, whistles, and bouzouki.

The Celtic Tenors will be featured in a new PBS Television Special, expanding their reach to audiences across the United States, check your local PBS listings for a date near you. Alongside the broadcast, the group will embark on a tour of the Northeast U.S. from February to March 2026, with additional Canadian dates in Toronto and Montreal, dates below. For more details on “The Celtic Tenors: Live at The Empire Theatre” go to https://celtic-tenors.com/

The Celtic Tenors are available through Slammin Media, with global distribution via Believe.

For interviews and copies of the album contact: Anita Daly anitadaly@yahoo.com

THE CELTIC TENORS NORTH AMERICAN TOUR DATES:

THE CELTIC TENORS REIMAGINE ED SHEERAN’S “PERFECT SYMPHONY” WITH BILINGUAL ELEGANCE AND IRISH SOUL

February 4, 2026 by Hector Flores

General

Acclaimed Irish Trio Blends English and Italian Lyrics in Stunning Live Recording From Upcoming ‘The Celtic Tenors: Live at the Empire Theatre’ Out March 20, 2026

The Celtic Tenors – Ireland’s internationally celebrated vocal trio – have released their stirring rendition of “Perfect Symphony,” out now through Slammin’ Media and Believe Distribution. Captured live at The Empire Theatre in Belleville, Ontario, the performance transforms Ed Sheeran’s modern classic into an intimate crossover experience that showcases the group’s signature ability to bridge contemporary songcraft with timeless Irish folk sensibility. The single arrives as the second preview of their forthcoming album ‘The Celtic Tenors: Live at The Empire Theatre,’ marking an exciting new chapter for founding member Matthew Gilsenan, alongside Daryl Simpson BEM and dynamic new tenor George Hutton.

What makes this interpretation particularly compelling is the trio’s bold artistic choice to weave Italian lyrics throughout the arrangement, creating a bilingual love letter that flows seamlessly between languages. “Baby, I’m dancing in the dark with you between my arms / Barefoot on the grass, listening to our favourite song,” the tenors sing in English before transitioning to the Italian verse, “Ballo con te, nell’oscurità, stretti forte e poi / A piedi nudi noi, dentro la nostra musica.” This cross-cultural approach expands the song’s romantic narrative while honouring The Celtic Tenors’ classical crossover roots and their commitment to bringing diverse musical traditions into conversation.

The arrangement itself is a masterclass in restraint and sophistication. Recorded in a single take during their live performance, the track strips away modern production embellishments in favor of organic Irish folk instrumentation and the crystalline harmonies that have defined The Celtic Tenors’ sound across two decades and more than one million albums sold worldwide. Supporting the trio are music director Colm O’Regan at grand piano, Darren Bell on guitars and mandolin, and John O’Brien on pipes, whistles, and bouzouki. The result is a version that feels both expansive and deeply personal – an invitation to experience the song’s emotional core in an entirely new setting. For producers and music supervisors seeking romantic content that transcends genre boundaries, this rendition offers rare versatility, equally at home in wedding playlists or at-home listening.

Matthew Gilsenan, the Kells, County Meath native whose emotive tenor has captivated audiences from New York to Shanghai, brings his characteristic storytelling warmth to the performance. Daryl Simpson BEM – whose British Empire Medal recognises his dedication to peace and reconciliation through music – adds his operatically trained power and nuanced artistry. George Hutton, the Derry-born tenor whose collaborations have ranged from Hozier to legendary Irish composer Phil Coulter, infuses the trio with fresh energy and contemporary sensibility. Together, their three distinctive voices create what fans have come to know as “one unforgettable Tenor Sound.”

The timing of this release positions The Celtic Tenors at the intersection of multiple exciting developments. Their new PBS television special – which began airing across the United States in late November 2025 on stations from WNET in New York to KVCR in Los Angeles – continues to introduce them to expanded American audiences throughout early 2026. An extensive North American tour launches in February with dates across the Northeast United States and Canada, including stops in Pennsylvania, New York, Maine, New Hampshire, and Ontario.

The Celtic Tenors’ ability to fill venues ranging from intimate arts centers to grand concert halls speaks to their broad appeal across adult contemporary, classical crossover, and Celtic music audiences—demographics that have propelled them to over 6 million streams on Spotify and 676,000 plays on Apple Music.

As audiences prepare to experience “Perfect” reimagined through an Irish lens, The Celtic Tenors continue to demonstrate why they’ve remained vital voices in global music for over two decades. Their commitment to excellence, infectious joy for performance, and deep respect for musical tradition creates concerts that audiences describe as “evenings to savor.” This single offers a taste of that magic, captured in real time and ready to create new moments of connection, romance, and genuine emotion. With ‘The Celtic Tenors: Live at The Empire Theatre’ set for release on March 20, 2026, and a full tracklist featuring everything from the heartfelt intimacy of “Grace” to the lively spirit of “Galway Girl,” the trio is poised for their most significant year yet.

2026 NORTH AMERICAN TOUR DATES:

Toronto’s Pressgang Mutiny Drop “Old Mick,” A Sea-Soaked, Pint-Swinging Slice Of Shanty Tradition Ahead of New LP

January 13, 2026 by Hector Flores

General

Toronto’s rowdiest keepers of the shanty flame, Pressgang Mutiny return with “Old Mick,” the second advance single from their forthcoming album Departure, out March 13, 2026 on Slammin Media

Known for reviving the raw, working-class spirit of traditional sea shanties, the quartet pushes that legacy forward here, blending their signature four-part firepower with contemporary urban production. It lands like a deck-stomper, full of rhythm, grit, and the kind of communal lift built for crowded rooms. Pressgang Mutiny have built their reputation on the road and at sea, traveling the world to uncover shanties, work songs, and the people keeping them alive. Departure marks their most ambitious leap yet and explores the musical connections that have always lived inside this tradition.

The sea shanty cannon, a synthesis of African-American and AfroCaribbean rhythmic call and answer forms combined with gritty Irish folk vocals, are wedded on this album with historical shanty samples, drum machine production, and musical collaborations with Toronto hip-hop, reggae, and dancehall veterans and rising stars, all weave into the album’s wider vision without losing the salt and sweat that define their sound. “Old Mick” unapologetically kicks open a door while keeping one boot planted in tradition.

The track pulls from its capstan and railroad song roots, built on calland-response vocals shaped for muscle and momentum. Pressgang Mutiny deliver it with thick harmonies, tight phrasing, and a rhythmic push that feels equal parts archival and alive and new. Their arrangement nods to the versions they have encountered across the Atlantic, but the energy is unmistakably theirs, delivered with a hard hitting modern North American attitude. It is loose, loud, and meant to be sung shoulder to shoulder. There is a lived-in credibility here that comes from singers who have actually handled lines, decks, and sails, not just chased the romance of the stories.

Across their twelve years together, Pressgang Mutiny have moved from Toronto pub sessions to major maritime and folk festivals across Canada, the United States, the United Kingdom, The Caribbean, France, Germany, Poland, and beyond. They have carried shanties from tall ships to conference stages, including Official Showcases at Folk Music Ontario in 2023 and Folk Alliance International. Their first two records, Pressgang Mutiny (2016) and Across the Western Ocean (2020), were reissued in early 2025 and have helped drive their growing audience online and on the road.

Order Pressgang Mutiny’s Music and Merchandise

Departure expands that story further. Featuring collaborations with reggae and dancehall artists such as Carl Harvey of Toots and the Maytals, Sunray Grennan, and Toronto hip-hop artist Matt Somber, the project treats the shanty as a living global form rather than a museum piece. The crew lean into that idea with curiosity and respect, stitching new textures around melodies that have crossed oceans for centuries. “Old Mick” offers another look at how the group is stretching the tradition without breaking its spine.

Pressgang Mutiny are Richard Kott, James McKie, Tim Pyron, and Stefan Read. They are tall ship sailors, arrangers, researchers, teachers, and performers who approach this music with equal parts scholarship and swagger. Whether leading festival workshops, hosting their ongoing podcast The Shanty Show, or tearing through a late-night pub set, they bring the same mix of history and heat. With Departure on the horizon and international touring underway across Canada, and the United Kingdom, 2026 is shaping up to be their busiest year yet.

For press inquiries, interviews, and review copies, please reach out. -Chad

Pressgang Mutiny Online

The Celtic Tenors Unveil “The Holy City,” A Stirring Prelude to Their Upcoming Live Project

October 24, 2025 by Hector Flores

General

Internationally acclaimed trio The Celtic Tenors—Matthew Gilsenan, Daryl Simpson, and George Hutton—return with a breathtaking rendition of “The Holy City,” marking the first glimpse of their upcoming live project, recorded during an exceptional performance at Belleville, Ontario’s historic Empire Theatre this August.

Released through Slammin Media and distributed by Believe Distribution, the single arrives worldwide on November 14, 2025, inviting audiences into a new chapter of the group’s celebrated journey.

Originally written by Frederic E. Weatherly and composed by Stephen Adams in 1892, “The Holy City” has endured for more than a century. Its sweeping melody and evocative storytelling have made it a staple in music history, resonating with generations of listeners who are drawn to its emotional depth and sense of hope.

The Celtic Tenors’ interpretation brings a renewed vitality to the beloved classic, infused with the warmth, clarity, and soaring harmonies that define their global reputation. Their performance captures both the intimacy and grandeur of the piece, reflecting the trio’s rare ability to bridge the worlds of classical, Celtic, and contemporary crossover with effortless grace.

Founding member Matthew Gilsenan, from Kells, County Meath, Ireland, delivers with his trademark emotive power and stage presence. “For me, every concert is about connection—sharing a song, a story, and leaving the world a little brighter,” says Matthew. Daryl Simpson BEM, from Omagh, Northern Ireland, complements that energy with precision and passion, his artistry shaped by years of operatic experience and community work. “Music has the power to heal, unite, and inspire—on stage and far beyond,” he shares. Newest member George Hutton, from Derry, brings vibrant personality and contemporary flair, having previously toured with Anúna and performed with Hozier and Phil Coulter. “If there’s one thing I can’t do without on tour, it’s a good cup of tea!” he laughs.

Together, their voices form a seamless blend—three distinct tones converging into one unmistakable sound. “The Holy City” captures the heart of their musical philosophy: songs that elevate emotion and connection above all else. Their live recording showcases the spontaneity and soul that define their performances, transforming a timeless composition into something immediate, dynamic, and deeply human.

With over a million albums sold worldwide and a two-decade career that spans six continents, The Celtic Tenors have become Ireland’s most successful classical crossover act. From neighbourhood stages to world-renowned venues in New York, Amsterdam, and Shanghai, the trio’s blend of charm, professionalism, and warmth continues to captivate audiences across generations.

The release of “The Holy City” coincides with The Celtic Tenors’ highly anticipated Canadian Christmas Tour. Launching November 27 at the Bell Performing Arts Centre in Surrey, BC, and concluding December 17 at the Orillia Opera House, the tour promises a festive celebration of Celtic charm, timeless favourites, and heartfelt storytelling. Each performance delivers a balance of technical brilliance and spontaneous joy, ensuring every audience leaves uplifted and inspired.

TOUR DATES

Their shows are known for blending centuries-old ballads with inventive takes on contemporary favourites, all wrapped in the good humour and camaraderie that make their performances feel like an evening among friends. Audiences can expect moments of breathtaking a cappella harmony, cinematic arrangements, and a heartfelt celebration of music’s power to connect across boundaries.

As they prepare for their 2025 tour and live project release, The Celtic Tenors continue to reaffirm why they remain one of Ireland’s greatest musical exports. Their artistry, authenticity, and shared joy in performance have built a legacy defined not only by accolades but by the countless hearts they’ve touched along the way.

About The Celtic Tenors

The Celtic Tenors—Matthew Gilsenan, Daryl Simpson, and George Hutton—are an internationally acclaimed vocal trio blending classical, Celtic, and contemporary styles. With over a million albums sold worldwide, they have toured extensively across Europe, North America, and Asia, performing with leading orchestras and at prestigious venues. Their performances are known for their warmth, charm, and emotional authenticity, offering a unique concert experience that celebrates harmony, humour, and heart.

Eric Alper

Publicist I Music Commentator I Shameless Idealist

647-971-3742

www.ThatEricAlper.com

Eric@ThatEricAlper.com

BuenRostro reinterpreta “La Carencia” en su live session Deskmoledor, un himno que sigue vigente

October 24, 2025 by Hector Flores

General

En un país donde la desigualdad sigue marcando el ritmo cotidiano, BuenRostro encuentra en “La Carencia” de Panteón Rococó un espejo de la realidad actual.

Desde su origen en San Pedro Atocpan, Milpa Alta —tierra de mole y trabajo colectivo— la banda reinterpreta este clásico con una mirada contemporánea, íntima y profundamente emocional.

Con esta versión, estrenada el viernes 17 de octubre, BuenRostro inaugura una nueva etapa musical y conceptual. Su nueva producción, Deskmoledor, es una live session que representa un regreso a las raíces, con un sonido más limpio, orgánico y digerible, sin perder la esencia que los distingue: una mezcla viva de tradición, identidad y rebeldía.

Este cover de “La Carencia”, junto con cuatro reversiones de su repertorio original, fue grabado en vivo dentro de una tienda de mole, integrando los sonidos, texturas y energía del entorno. La colaboración con el productor Mohamed Estrada (Moha), originario de Guadalajara, aportó un enfoque acústico y ritual que resalta la percusión tradicional y un piano arrabalero que evoca las cantinas antiguas de la Ciudad de México.

En el aspecto visual, el vestuario y la dirección de arte estuvieron a cargo de Clarisse Monde, quien reflejó esa búsqueda de limpieza y frescura en la imagen del grupo al confeccionar el vestuario con material reciclado. Esta es la segunda ocasión en que BuenRostro apuesta por reutilizar prendas, utilizando material de la casi media tonelada de ropa que han recopilado.

A diferencia del vestuario anterior —también hecho con ropa reciclada pero mucho más cargado y colorido—, esta nueva etapa presenta una estética más sobria y limpia, en sintonía con las reversiones musicales que buscan “quitar la paja extra de los sonidos” y mostrar una identidad renovada.

“La gente pobre no tiene lugar”, canta BuenRostro, recordando que la voz del pueblo sigue resonando entre el polvo, el trabajo y la esperanza.

Este lanzamiento marca la primera ocasión en que la agrupación realiza un cover y una sesión en vivo con video, reafirmando su deseo de explorar nuevos formatos y apropiarse de espacios no convencionales para la música.

“La Carencia” ya está disponible en todas las plataformas digitales, y la live session Deskmoledor completa puede verse en YouTube, dando inicio oficial a la nueva era de BuenRostro.

Puedes escuchar “La Carencia” aquí 🔊.

“Deskmoledor” ya está disponible en YouTube📹.

Sobre BuenRostro

BuenRostro es una banda mexicana de post-folk que ha marcado la escena con una propuesta que combina tradición, identidad y experimentación sonora. Con más de una década de trayectoria, su música y sus visuales los han consolidado como uno de los proyectos más singulares de su generación.

Desde la conciencia social y ambiental, han llevado su sonido a escenarios internacionales como Vive Latino en México, Calgary Folk Music Fest y Winnipeg Folk Music Fest en Canadá, además de diversos festivales en Europa y América Latina.

A lo largo de su camino, BuenRostro ha logrado conectar con públicos de distintas culturas, adaptando su espectáculo a contextos internacionales sin perder su raíz mexicana. Con una sólida experiencia logística y un equipo comprometido, la banda se encuentra preparada para afrontar giras internacionales y mantener los altos estándares que caracterizan su trabajo artístico.

The Celtic Tenors Announce Canadian Christmas Tour

September 27, 2025 by Hector Flores

General

Join the Celtic Tenors for an unforgettable performance of vocal brilliance and festive cheer.

Their enchanting blend of Celtic charm, timeless favourites, and modern hits is paired with a heartwarming selection of Christmas classics. This special holiday concert promises a mesmerizing celebration of Celtic culture and the joyous spirit of Christmas, leaving audiences uplifted and inspired.

The Celtic Tenors will give you a night to remember. Whether performing in neighbourhood cathedrals or world-renowned concert halls from New York to Amsterdam to Shanghai, every performance sparkles with professionalism, warmth, and good humour.

With more than a million CDs sold worldwide, they’ve built a reputation for excellence and authenticity while never losing the fun that makes them beloved by fans everywhere. Their concerts feel less like formal recitals and more like high-wire acts of charm—equal parts vocal muscle, backstage banter, and the kind of intimacy that usually belongs in a living room singalong.

Their Canadian tour begins November 27 at the Bell Performing Arts Centre in Surrey, BC, and end December 17 at Orillia Opera House.

Each performance blends the best of Celtic tradition with exhilarating classics, powerful a cappella moments, and popular contemporary songs. The Celtic Tenors’ charm and charisma ensure that audiences leave with hearts soaring and spirits renewed. Think of it as a jukebox of cultures, where centuries-old ballads sit comfortably next to sly reinventions of pop standards, all carried on a wave of harmonies that can swell to cinematic grandeur or collapse into a wink and a grin.

Founding member Matthew Gilsenan, from Kells, County Meath, Ireland, has long been admired for his powerful, emotive voice and captivating stage presence. His ability to connect with audiences makes every performance deeply personal. “For me, every concert is about making a connection—sharing a song and a story, and leaving the world a little brighter,” says Matthew.

Daryl Simpson BEM, from Omagh, Northern Ireland, adds both artistry and versatility. A trained operatic tenor, Daryl has performed with leading orchestras and remains dedicated to community through his work with the Omagh Community Youth Choir. Awarded the British Empire Medal for peace and community relations, he brings heart as well as voice to the trio. “Music has the power to heal, unite, and inspire—on stage and far beyond,” says Daryl.

George Hutton, from Derry, Northern Ireland, is the newest member of the group, bringing fresh energy and a rich musical background that includes touring with Anúna, performing with Hozier, and collaborating with Phil Coulter. With his humour, humility, and genuine love for singing, George adds new dimension to the Celtic Tenors’ already unforgettable sound. “If there’s one thing I can’t do without on tour, it’s a good cup of tea!” he shares with a smile.

Together, Matthew, Daryl, and George deliver more than a performance—they create an evening to savour. The Celtic Tenors embody a rare balance of skill and personality, offering three unique solo voices that, when called upon, blend into one soaring Tenor Sound. What makes them different isn’t just the technical brilliance—it’s the sense that they’re letting you in on the joke, the story, the heartache, and the triumph all at once.

With their polished international reputation, The Celtic Tenors remain rooted in joy and authenticity. Their performances highlight why they continue to be one of Ireland’s most successful crossover acts: world-class artistry paired with a down-to-earth love for sharing music.

Celebrate the season with The Celtic Tenors as they bring their acclaimed sound to Canada this holiday. From Celtic ballads and festive favourites to contemporary hits, their 2025 tour promises nights of music, laughter, and unforgettable memories.

Tour Dates – Tickets Available On The Celtic Tenors’ Website:

For further information interviews:

Eric Alper Publicist I Music Commentator I Shameless Idealist 647-971-3742

www.ThatEricAlper.com

Country Rising Star Hayden Ryann Stands Tall with Empowering New Single ‘No Room for Bitchin’’

September 26, 2025 by Hector Flores

Music

Toronto-born artist Hayden Ryann brings a confident new voice to country-pop with her single “No Room for Bitchin’” (Slammin Media and distributed worldwide by Believe) set for release on September 26, 2025.

At just 21 years old, Hayden combines a modern lyrical directness with the warmth of country storytelling and the energy of pop, crafting music that resonates with young listeners who value authenticity and empowerment.

Growing up in Toronto’s Beaches neighborhood, Hayden found her artistic spark early in music, poetry, and visual art. Summers spent in Montreal immersed her in the city’s thriving arts scene, shaping her creative identity. “The recording studio feels like my instrument,” she says, reflecting on her sessions in Nashville, Toronto, and Montreal that laid the foundation for her debut album arriving in 2026.

Her journey is anchored in her own words and experiences. “I’ve written over a hundred songs,” Hayden shares. “Songwriting is how I make sense of the world. It’s how I hold onto joy, let go of frustration, and find strength.” That philosophy runs through her newest track, a collaboration with The Lockyer Boys that centers on self-worth and unapologetic independence.

From the first verse, “No Room for Bitchin’” sets its tone with defiance: “I found a boy, had to let him go / He didn’t like the way I didn’t do as I was told.” Hayden delivers each line with a mix of grit and clarity, transforming personal reflection into a universal anthem for anyone refusing to shrink themselves.

The chorus amplifies that voice: “So you don’t like me, when did I ask? / Don’t get caught up on me, ‘cause I ain’t gonna do it back.” Her conversational delivery and infectious melody underline the message—confidence doesn’t need validation, and self-respect is its own power.

Later in the song, Hayden sharpens the message for her listeners: “So listen up, girls, this is our song / We ain’t gonna apologize when we don’t do nothing wrong.” With that rallying cry, she transforms the track into a collective statement, positioning her music as both a personal release and a cultural moment for her generation.

The anthem is already inspiring movement—literally. A line dance choreographed to “No Room for Bitchin’” is picking up steam across TikTok and Instagram, giving fans a playful new way to embody its message. The video brings the song’s empowering spirit to life, uniting music, movement, and community in a way only Hayden Ryann could.

The impact of “No Room for Bitchin’” extends beyond its hooks. It resonates as a declaration of emotional clarity, offering anthems of resilience to those navigating toxic relationships or societal pressures. Hayden’s ability to channel frustration into empowerment places her in conversation with peers like Maggie Rogers and Lizzy McAlpine while carving a space uniquely her own.

For Hayden, empowerment means presence. “Say what you want, be who you wanna be,” she sings, embodying a philosophy of living without compromise. This message positions her not just as a performer, but as a voice for young women claiming space with unapologetic confidence.

Looking ahead, Hayden is preparing the release of her debut album in early 2026. She promises a body of work that blends her influences—country, pop, and folk—with lyrics rooted in raw honesty. “These songs come from real places,” she says. “They’re about finding joy, holding your ground, and sharing stories that matter.”

With her music set to reach audiences across Canada, the U.S., and beyond, Hayden Ryann stands poised to become one of country-pop’s most empowering new voices. “No Room for Bitchin’” is more than a single; it’s a statement of identity, a soundtrack for resilience, and a reminder to live boldly without apology.

As Hayden puts it herself: “I’m a hell of a girl, in a hell of a world, that’s got no room for bitchin’.”

Eric Alper

Publicist I Music Commentator I Shameless Idealist

647-971-3742

www.ThatEricAlper.com

Eric@ThatEricAlper.com

Twitter I Facebook I Instagram I TikTok I Threads I Bluesky

A KIND OF MAGI: AS CHRISTMAS EDGES CLOSER, THE CELTIC TENORS PROVE THAT MANGER IS THEIR BUSINESS

November 11, 2024 by Hector Flores

General

As the say on the streets of Bethlehem, royalty recognize royalty. And the sound of one eminently regal trio meeting another is what we get on The Celtic Tenors’ “We Three Kings,” the leadoff track from the revered Irish vocal group’s 2025 holiday album, The Celtic Tenors—Christmas.

It’s appropriate to the point of feeling fated that the Tenors’ rendition of the 19^th-century classic should have pride of place among the 12 tracks on the their new yuletide record: All three of the fellas had performed the number solo before getting together as a group just over a half-century ago. They even recorded a previous trio version in the early days of their career. But this latest take on the timeless tale of gold, frankincense and myrrh is an all-time high. A distinctly Middle Eastern intro gives way to an arrangement that deftly balances lush symphonics and clearly plucked guitars; there are even two clever interpolations of melodies from the similarly Nativity-themed “What Child Is This?” But nothing, of course, steals the spotlight from the immaculate voices of the Tenors themselves, which working both in tandem and individually breathe new life into one of the most cherished carols in the pantheon.

That’s the sort of experience you’ll have listening to all of The Celtic Tenors—Christmas, a collection of holiday perennials like “O Holy Night,” “The First Noel” and “Silent Night” that retains the comforting familiarity of a favorite Christmas sweater while incorporating regular twists and tweaks to prevent the fruitcake from ever going stale (as it were).

You’d expect nothing less from these three, who for decades have been lending peerless vocal skill (and a uniquely Irish charm) to everything from classical arias and a capellas to traditional Celtic numbers and contemporary pop hits. The result is over a million records sold worldwide, and a legion of fans who’ve grown to depend upon the Tenors’ innate ability to harmonize—both musically and personally.

There’s certainly a lot of talent to wrangle. Classically trained Matthew Gilsenan is a veteran of Ireland’s National Chamber Choir, while James Nelson, who holds an honors degree in music from University College Dublin, has performed more than 100 oratorios, operas and operettas on stages worldwide. As for Daryl Simpson, he’s a graduate of multiple music programs in Ireland and Scotland, and has appeared with a long list of prestigious opera companies and orchestras in the U.K. and Switzerland.

Not only are the Tenors tops in their field, they’re good-will ambassadors in a way that transcends music as well. Members of the group have lent their influence and their energy to helping out orphans in AIDS-ravaged Kenya and the residents of Northern Ireland’s Omagh community after a tragic 1998 bombing—to name just two of the worthy causes they’ve embraced.

Having marked their 25th anniversary together with a celebratory tour in early 2024, the Tenors are showcasing the Christmas album in a series of holiday-season shows both at home and abroad. Upcoming dates are as follows:

Wednesday, November 27 – Capitol Theatre, Moncton, New Brunswick, CAN

Thursday, November 28 and Sunday, December 1 – Rebecca Cohn Auditorium, Halifax, Nova Scotia, CAN

Monday, December 2 – The Playhouse, Fredericton, New Brunswick, CAN (SOLD OUT)

Wednesday, December 4 – Imperial Theatre, Saint John, New Brunswick, CAN

Friday, December 6 – The Kate, Old Saybrook, Connecticut, USA (SOLD OUT)

Saturday, December 7 and Sunday, December 8 – Strand Theater, Zelienople, Pennsylvania, USA (BOTH SOLD OUT)

Monday, December 9 – Uptown Knauer Performing Arts Centre, West Chester, Pennsylvania, USA

Tuesday, December 10 – Shenkman Arts Centre, Ottawa, Ontario, CAN

Wednesday, December 11 – Rose Theatre, Brampton, Ontario, CAN

Monday, December 17 – National Opera House, Wexford, IRE

Be prepared for a direct infusion of Christmas spirit that’ll keep you in good cheer all the way to Valentine’s Day. Because it isn’t every year you get to have an audience with three honest-to-goodness kings.

Tortured Soul Drops Infectious New Single “I’m In Love With U” – A Disco-Inspired Anthem for the Heart

September 11, 2024 by Hector Flores

General

House Music, New Single, Tortured Soul

Globally acclaimed house music collective, Tortured Soul, returns with their latest single, “I’m In Love With U,” set for release on Friday, September 13th. Known for their unparalleled ability to blend live instrumentation with deep, soulful house grooves, Tortured Soul’s new track is a quirky, upbeat, and disco-inspired anthem that promises to get everyone on the dance floor moving.

Tortured Soul has always stood apart in the world of modern house music, boasting a catalog that has amassed over 35 million streams and counting. Rooted in Brooklyn, NY, the group has been delivering infectious grooves since the early 2000s, drawing inspiration from iconic artists like Prince, Heatwave, and Kool & The Gang. Their live performances, marked by the effortless mastery of frontman and drummer John-Christian Urich, have captivated audiences around the globe, with over 1,000 shows spanning continents including Africa, Europe, Asia, and the Americas.

“I’m In Love With U” embodies the unique essence of Tortured Soul, blending heartfelt lyrics with a catchy, singsongy hook that is impossible to forget. The track delivers a clear and poignant message, encouraging listeners to embrace vulnerability, wear their heart on their sleeve, and dance through their emotions.

Artist Quote: “Leading by example, Tortured Soul presents a song that invites you to wear your heart on your sleeve, embrace your feelings, accept your vulnerability, and be bold. This quirky, upbeat, singsongy, disco-inspired cut carries a clear and poignant message that resonates with everyone on the dance floor.”

The new single will be promoted via a robust marketing campaign targeting key markets in the United States, South Africa, and Europe. Fans of dance and house music aged 25 to 60 will find themselves drawn to the track’s infectious rhythm and soulful vibe, reminiscent of neo-soul groups like Jamiroquai or Brand New Heavies, with a contemporary twist inspired by artists like Louie Vega and Purple Disco Machine.

Tortured Soul’s influence extends beyond their own music. They’ve collaborated with a host of international DJs and producers, including Black Coffee, Ralf Gum, Atjazz, Fka Mash, Osunlade, and Quentin Harris. Their sound represents a live incarnation of a genre traditionally dominated by DJs, making them a standout act in the global house music scene.

Promotional Campaign and Upcoming Tour

The release of “I’m In Love With U” will be supported by a strategic promotional campaign. Radio campaigns will be led by Mil-MGMT, focusing on DJ drops and dance radio stations worldwide, as well as I Be Music, which will leverage their expertise in the South African market. The campaign will include 12 weeks of plugging and PR across radio, streaming platforms, online outlets, and TV.

In addition to radio promotions, Tortured Soul will utilize a long/short-form video strategy, targeting platforms like TikTok, Instagram Reels, and YouTube Shorts to maximize reach and engagement. The group is also preparing for a South African tour in November, with dates to be announced soon.

Slammin Media, known for its expertise in digital marketing and social media strategy, will oversee the digital campaign, ensuring Tortured Soul’s presence across all major social platforms. By leveraging Tortured Soul’s extensive mailing list and a comprehensive social media strategy, Slammin Media aims to grow the band’s fanbase and foster a deeper connection with both new and existing fans.

About Tortured Soul

Tortured Soul is a collective of international musicians led by John Christian Urich, blending live instrumentation with deep, soulful house grooves. With a sound that echoes the classic craftsmanship of Prince and Kool & The Gang, and a modern flair inspired by house and nu-disco artists, Tortured Soul has earned a devoted following worldwide.

About Mil-MGMT

Mil-MGMT is a leading electronic music PR, promotion, and management company specializing in house, techno, dance, and disco music. With a global reach, Mil-MGMT has successfully executed campaigns in markets such as Barcelona, Madrid, the UK, and Germany, working with high-profile DJs and radio shows.

About I Be Music

I Be Music is a premier music marketing and PR agency, specializing in radio, streaming, and TV promotion. With deep ties to the South African market, I Be Music has worked with some of the world’s biggest stars, including Jack Harlow, Lizzo, and Nicki Minaj.

About Slammin Media

Slammin Media is a full-service digital marketing agency, providing tailored strategies for artists and brands. With a focus on social media engagement and fanbase growth, Slammin Media has successfully promoted artists across a wide variety of genres and markets.

THE CELTIC TENORS ANNOUNCE EXPANDED EDITION OF AN IRISH SONGBOOK AND WORLD TOUR

February 22, 2024 by Hector Flores

General

The Celtic Tenors have been acting as musical ambassadors for a quarter-century now, applying their immense vocal talents (and uniquely Irish charm and personality) to material that ranges from classical arias and acapellas to traditional Celtic harmonies and popular contemporary songs. They’ve sold over a million records worldwide, winning over legions of fans with their unmatched ability to harmonize both musically and personally.

That they mesh so well as a unit stems in part from the firm pedigree each member brings to the table. Tenor Matthew Gilsenan was classically trained by some of the great Irish and Scottish teachers and later sang in Ireland’s National Chamber Choir. James Nelson is an honors graduate in music from University College Dublin, with a résumé that includes over 60 oratorios and more than 50 operas and operettas performed on stages across the globe. Daryl Simpson has degrees in music from multiple institutions in Ireland and Scotland, as well as an extensive history of appearances with prestigious opera companies and orchestras in the U.K. and Switzerland.

“Isle of Hope, Isle of Tears” is one of four bonus tracks featured on An Irish Songbook, a themed compilation of tunes that reflect the rich culture and character of the group’s birthplace. Previously available only on CD in their native Ireland, the album is being released digitally in our market for the first time—making it a hopeful export in its very own right.

The Celtic Tenors are collaborating with Slammin Media for worldwide distribution through Believe. This strategic partnership promises to elevate their enchanting melodies and vibrant performances to a global audience, ensuring their music is accessible on all major streaming platforms. With Slammin Media’s innovative marketing strategies and best practices and Believe’s extensive distribution network, The Celtic Tenors are poised to captivate listeners around the world with their soul-stirring harmonies and dynamic repertoire. Fans and new listeners alike can look forward to a musical journey that transcends boundaries and celebrates the rich heritage of Celtic music.

The release of the new, expanded version of An Irish Songbook coincides with the group’s 25th anniversary tour, which has them playing 22 dates in the U.S. and Canada from late February to the end of March. After that, they’re off to the Netherlands for 10 shows in April.

The Celtic Tenors 2024 Tour:

Tuesday, 27th February 2024 Savannah Center, The Villages, FL
Friday, 1st March 2024 Waldo Theatre, Waldoboro, ME
Saturday, 2nd March 2024 TCAN- Natick, MA
Sunday, 3rd March 2024 City Winery, New York City
Monday, 4th March 2024 Southampton, NY
Wednesday, 6th March 2024 Birchmere, Alexandria, VA
Sunday, 10th March 2024 Irish Cultural Heritage Center, Milwaukee WI
Tuesday, 12th March 2024 Strand theater, Zelienople, PA
Wednesday, 13th March 2024 Strand Theater, Zelienople, PA
Thursday, 14th March 2024 Burlington PAC, Burlington, ON
Saturday, 16th March 2024 Markham Theatre, ON
Saturday, 16th March 2024 Markham Theatre, ON
Sunday, 17th March 2024 Electric City, Buffalo, NY
Tuesday, 19th March 2024 The Asylum at Masonic Temple, Cleveland, OH
Wednesday, 20th March 2024 The Ark, Ann Arbor, MI
Thursday, 21st March 2024 The Clyde Theatre, Fort Wayne, IN
Saturday, 23rd March 2024 Schuster Center, Mead Theatre with Dayton Philharmonic Orchestra, Dayton OH
Sunday, 24th March 2024 The Athenaeum Theatre, Columbus, OH
Monday, 25th March 2024 Strand Theater, Zelienople, PA
Netherlands
Wednesday, 10th April 2024 Tivolivredenburg, Utrecht
Thursday, 11th April 2024 Theater Hanzehof, Zutphen
Friday, 12th April 2024 Toon Hermans Theater, Sittard
Saturday, 13th April 2024 Theater de Bussel, Oosterhout
Sunday, 14th April 2024 Theater de Willem, Papendrecht
Wednesday, 17th April 2024 Theater de Mythe, Goes
Thursday, 18th April 2024 De Lawei,Drachten
Friday, 19th April 2024 Hofte Kerk, Hardenberg
Saturday, 20th April 2024 De Tamboer, Hoogeveen
Sunday, 21st April 2024 Hoftheater, Raalte

FOLLOW THE CELTIC TENORS

“THE CELTIC TENORS LIVE AT THE EMPIRE THEATRE” out March 20th Single ‘Perfect Symphony’ out January 30th

North American Tour begins February 19th

THE CELTIC TENORS REIMAGINE ED SHEERAN’S “PERFECT SYMPHONY” WITH BILINGUAL ELEGANCE AND IRISH SOUL

Acclaimed Irish Trio Blends English and Italian Lyrics in Stunning Live Recording From Upcoming ‘The Celtic Tenors: Live at the Empire Theatre’ Out March 20, 2026

Toronto’s Pressgang Mutiny Drop “Old Mick,” A Sea-Soaked, Pint-Swinging Slice Of Shanty Tradition Ahead of New LP

Toronto’s rowdiest keepers of the shanty flame, Pressgang Mutiny return with “Old Mick,” the second advance single from their forthcoming album Departure, out March 13, 2026 on Slammin Media

The Celtic Tenors Unveil “The Holy City,” A Stirring Prelude to Their Upcoming Live Project

Released through Slammin Media and distributed by Believe Distribution, the single arrives worldwide on November 14, 2025, inviting audiences into a new chapter of the group’s celebrated journey.

TOUR DATES

BuenRostro reinterpreta “La Carencia” en su live session Deskmoledor, un himno que sigue vigente

En un país donde la desigualdad sigue marcando el ritmo cotidiano, BuenRostro encuentra en “La Carencia” de Panteón Rococó un espejo de la realidad actual.

Desde su origen en San Pedro Atocpan, Milpa Alta —tierra de mole y trabajo colectivo— la banda reinterpreta este clásico con una mirada contemporánea, íntima y profundamente emocional.

The Celtic Tenors Announce Canadian Christmas Tour

Join the Celtic Tenors for an unforgettable performance of vocal brilliance and festive cheer.

Their enchanting blend of Celtic charm, timeless favourites, and modern hits is paired with a heartwarming selection of Christmas classics. This special holiday concert promises a mesmerizing celebration of Celtic culture and the joyous spirit of Christmas, leaving audiences uplifted and inspired.

The Celtic Tenors will give you a night to remember. Whether performing in neighbourhood cathedrals or world-renowned concert halls from New York to Amsterdam to Shanghai, every performance sparkles with professionalism, warmth, and good humour.

Country Rising Star Hayden Ryann Stands Tall with Empowering New Single ‘No Room for Bitchin’’

Toronto-born artist Hayden Ryann brings a confident new voice to country-pop with her single “No Room for Bitchin’” (Slammin Media and distributed worldwide by Believe) set for release on September 26, 2025.

At just 21 years old, Hayden combines a modern lyrical directness with the warmth of country storytelling and the energy of pop, crafting music that resonates with young listeners who value authenticity and empowerment.

A KIND OF MAGI: AS CHRISTMAS EDGES CLOSER, THE CELTIC TENORS PROVE THAT MANGER IS THEIR BUSINESS

As the say on the streets of Bethlehem, royalty recognize royalty. And the sound of one eminently regal trio meeting another is what we get on The Celtic Tenors’ “We Three Kings,” the leadoff track from the revered Irish vocal group’s 2025 holiday album, The Celtic Tenors—Christmas.

Tortured Soul Drops Infectious New Single “I’m In Love With U” – A Disco-Inspired Anthem for the Heart

THE CELTIC TENORS ANNOUNCE EXPANDED EDITION OF AN IRISH SONGBOOK AND WORLD TOUR

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